Choose places to visit in Deerfield Beach
📍 2200 Southwest 10th Street, Deerfield Beach 33442
🧭 0.7 km from selected city
📍 1300 West Hillsboro Boulevard, Deerfield Beach 33442
🧭 1.4 km from selected city
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Public artwork by Emily Clanton. Vinyl wrap based on one of her original paintings, adapted as a site-specific design for the Pompano Beach Utility Box Wrap Program (2017). Installed to enliven Powerline Road with accessible, community-focused art.
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📍 3600 West Sample Road, Coconut Creek 33073
🧭 6.1 km from selected city
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📍 907 Hillsboro Mile, Hillsboro Beach 33062
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Five colorful banners commissioned by the Boca Raton Museum of Art for installation at their entry.
Scott centers her artistic creations on wildlife from elegantly souring eagles to majestically resting hogs as seen here.
Sweeping lines and rough surfaces are the hallmark of Binkele's refined depictions of female figures and horses.
A discarded jet engine core is combined with paddle blades used to control and direct the flow of a molten steel pour.
Liberman focused his artistic vocabulary on a hard-edged, geometric style, most often featuring undulating and bisected circular forms.
This work plays with positive and negative space and possesses repetitive lattice-like elements and sharp terminations toward the sky.
Sonso's conceptual works focus on the near obliteration of the figurative form into voids and solids. His "squared heads" are his most iconic forms, with this version weighing 1,400 lbs and carved from a single piece of marble.
Countess Henrietta de Hoenrle was honored in 2011 on her 99th birthday by unveiling a bronze statue of her and her late husband, Count Adolph de Hoernle.
SUNRISE east may is one in a series of 12 giant masks, each named for a month of the year. Here a child’s head playfully protrudes from a shark costume, giving it a hint of mischief.
Basic shapes such as a circle, cylinder, and sphere lean against or stack atop each other, presenting a tension between stability and precariousness.
Here a coffeepot teeters atop precariously stacked cups and saucers alluding to Latin American societal inequity and an economy built by wealthy coffee plantation owners on the backs of impoverished, indentured farm workers.
🧭 7.2 km from selected city
Sliced, smashed or burned musical instruments were the artist’s most recognizable symbolic objects, as seen here with the numerous violoncellos and bows forming Music Power II.
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